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  1. #16
    Join Date
    Feb 2007
    Location
    Southeast Idaho
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    1,145

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    Quote Originally Posted by sundial View Post
    No matter how much I stretched my watercolor paper, it always seemed to buckle a teenie bit. So then I'd have to place it under a heavy book. Then I tried the watercolor canvas and decided, what the heck, I'll just paint in oils and be done with it, lol!
    You have to WET it down. Give it a bath. Tape it with the tape that has the disgusting adhesive on it like an envelope flap does. I let it dry and don't remove it from the board until the painting is complete.

    HOW in the world do you get your oils to come out looking like a wash?? Do you use an armload of white???? HOW??

    Mimi - very nice!!

  2. #17
    Join Date
    Apr 2006
    Location
    Seattle
    Posts
    8,548
    to keep my stuff flat, when I am done i just paint the whole back of it with water and then flatten it in towels covered by a stack of books. they come out nice and flat that way.

    a jersey, eh? that would be cool.
    Mimi Team TE BIANCHISTA
    for six tanks of gas you could have bought a bike.

  3. #18
    Join Date
    Jul 2007
    Location
    foothills of the Ozarks aka Tornado Alley
    Posts
    4,193
    Quote Originally Posted by Flybye View Post
    You have to WET it down. Give it a bath. Tape it with the tape that has the disgusting adhesive on it like an envelope flap does. I let it dry and don't remove it from the board until the painting is complete.

    HOW in the world do you get your oils to come out looking like a wash?? Do you use an armload of white???? HOW??
    I used to soak my paper in the tub, smooth it and tape it down, and then grumble as it slowly buckled. I walked out of my watercolor class and never looked back. The irony is, I employ watercolor techniques to do my oils, lol. As for the oils, I rarely use white. Just this year I've used it in some of my paintings. I've updated my website.

    www.cathyburge.com

    Mimi and Fly, I would enjoy painting with you.

  4. #19
    Join Date
    Jul 2007
    Location
    foothills of the Ozarks aka Tornado Alley
    Posts
    4,193
    Quote Originally Posted by mimitabby View Post
    a jersey, eh? that would be cool.
    Yeah, I'd like an artsy fartsy jersey.

  5. #20
    Join Date
    Jan 2006
    Location
    Pacific Northwest
    Posts
    3,436
    Mimi, I suggested that in the Danskin thread too--that we ask you to do a shirt for us. I would love to have a jersey or shirt with your work on it.
    "My predominant feeling is one of gratitude. I have loved and been loved;I have been given much and I have given something in return...Above all, I have been a sentient being, a thinking animal, on this beautiful planet, and that in itself has been an enormous privilege and an adventure." O. Sacks

  6. #21
    Join Date
    May 2005
    Posts
    546
    um, back to the canvas for a minute. DH is the painter in our house, and a very good one too. He stretches all his canvas (or has it done, sometimes his paintings are quite large and need custom hinged stretchers.) The tip I really wanted to share - he gessos with a squeegee. Nice and smooooth.

  7. #22
    Join Date
    Nov 2007
    Location
    Western Canada-prairies, mountain & ocean
    Posts
    6,984
    Or Mimtabby..approach teamestrogen owner...make a mousepad, waterbottle logo....

    Am impressed many of you like watercolours. I dislike watercolours..too mercurial and chancy to work with. Watercolour painting is not good for a control freak like me. I'm a slow plodder..I even find acrylic paints dry too fast for my dreamin' brain.

    Well maybe I should have kept my watermedia paper (250 lb) taped down when I doodling around last weekend. I used rice vermicelli wrappers, wetted down and pressed it down, wrinkly and brushed it down onto paper with coloured glossy acrylic gel. A texture effect...not representing any reality!

    Geez....it took a LONG time to dry. And then 24 hrs. later, the paper seized up and bubbled when the pasta dried up. Another failed experiment. Next time it'll be wood board.

  8. #23
    Join Date
    Jul 2007
    Location
    foothills of the Ozarks aka Tornado Alley
    Posts
    4,193
    Quote Originally Posted by latelatebloomer View Post
    um, back to the canvas for a minute. DH is the painter in our house, and a very good one too. He stretches all his canvas (or has it done, sometimes his paintings are quite large and need custom hinged stretchers.) The tip I really wanted to share - he gessos with a squeegee. Nice and smooooth.
    Hmmm, haven't tried the squeegee trick. That's an interesting idea, Aunt Latelate.

  9. #24
    Join Date
    Jul 2006
    Location
    Riding my Luna & Rivendell in the Hudson Valley, NY
    Posts
    8,411
    Quote Originally Posted by shootingstar View Post
    Well maybe I should have kept my watermedia paper (250 lb) taped down when I doodling around last weekend. I used rice vermicelli wrappers, wetted down and pressed it down, wrinkly and brushed it down onto paper with coloured glossy acrylic gel. A texture effect...not representing any reality!

    Geez....it took a LONG time to dry. And then 24 hrs. later, the paper seized up and bubbled when the pasta dried up. Another failed experiment. Next time it'll be wood board.

    Maybe a little tomato sauce mixed into the gel next time....?

    I did lots of that texture stuff in my paper mache sculptures long ago. Fun.
    Lisa
    My mountain dulcimer network...FOTMD.com...and my mountain dulcimer blog
    My personal blog:My blog
    ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

  10. #25
    Join Date
    Apr 2006
    Location
    Seattle
    Posts
    8,548
    and if it doesn't work, you can eat it!
    Mimi Team TE BIANCHISTA
    for six tanks of gas you could have bought a bike.

  11. #26
    Join Date
    Jul 2007
    Location
    foothills of the Ozarks aka Tornado Alley
    Posts
    4,193
    LOL! If I do want to watercolor, I use the watercolor blocks. I love smooooooth paper for my technique.

 

 

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