Awesome! I'm a goldsmith so I can appreciate how difficult that is. You make it look effortless, the sign of a true master.
"A few more file strokes, and the gap disappears.."I know how hard that fitting must have been (compound curves). You're not fooling me.
Excellent work! Thanks for showing us.
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07-25-2010, 04:41 PM #1
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'02 Eddy Merckx Fuga, Selle An Atomica
'85 Eddy Merckx Professional, Selle An Atomica
'10 Soma Double Cross DC, Selle An Atomica
Slacker on wheels.
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07-26-2010, 04:21 AM #2
DFL>DNF>DNS
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Sweet, Margo! You are amazing! BTW, I took my Luna to a bike shop when visiting my son and before I knew it, they had it on the stand and all six employees in the shop were hovered over it oohing and aahing at your work. I LOVE my Luna!!!
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"We don't stop playing because we grow old; we grow old because we stop playing." George Bernard Shaw
Luna Eclipse/Selle Italia Lady
Surly Pacer/Terry Butterfly
Quintana Roo Cd01/Koobi Stratus
1981 Schwinn Le Tour Tourist
Jamis Coda Femme
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07-27-2010, 04:14 AM #3
What's over that hill?
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Beautiful frame! I hope to, some day, have one of your lovely bikes
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07-27-2010, 06:37 AM #4
Ain't Love a Surprise?
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Pam is a lucky lady!
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07-27-2010, 07:39 AM #5
Team Embolism
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Yep, "a few more file strokes," indeed. If it were my hand doing the file strokes I'd have to start all over again - or cut my losses and quit.
I vote for "a few more masterful file strokes."Give big space to the festive dog that make sport in the roadway. Avoid entanglement with your wheel spoke.
(Sign in Japan)
1978 Raleigh Gran Prix
2003 EZ Sport AX
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07-27-2010, 01:52 PM #6
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That is some gorgeous welding! Pam is a lucky woman indeed
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07-27-2010, 05:22 PM #7
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Why, thank you all for such nice comments! I'll take your kind and sweet comments with gratitude and as food for inspiration
I mostly posted the link hoping folks might be encouraged to ask: "what the heck is THAT?" or "why THIS?" ...as framebuilding looked weird to me from a distance before I ever did it....So if you have questions (and trust me, none of them are dumb; I've asked them all before), I'm very happy to answer them.
Honestly, this kind of work, the hands-on part of it, is simply repeating a process so many times you finally know how to do it in a way that isn't so effort-ful, although each frame is still really unique. I still enjoy it, and it still feels amazing that these things become actual beloved bikes, (and so often for people I never get to meet!). I like that there are so many variables in creating a bicycle by hand, and one must keep them all at the forefront of attention in order to make the best bike possible.
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